2011-06-30

Tradtitonal Chinese Art Treasure - Xuan Paper


Xuan paper is a kind of paper originating in ancient China used for writing and painting. Xuan paper is renowned for being soft and fine textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting.


Xuan paper is produced in Jing County of East China's. Anhui Province. The county was under the jurisdiction of Xuanzhou Prefecture in the Tang Dynasty (618-907). Jing County paper was first shipped to Xuanzhou. and then transshipped to other ports. hence the name of Xuan paper.

Due to different producing methods, Xuan paper can be classified into Shengxuan, Shuxuan, and Banshuxuan. Shengxuan (literally "Raw Xuan"), which is not specially processed, excels in its ability to absorb water, causing the ink on it to blur. Shuxuan (literally "Ripe Xuan"), however, is smeared on by Potassium alum during its production, which results in its texture being harder and its ability to absorb water weaker. This feature makes Shuxuan more suitable for Xieyi rather than Gongbi, and more easily torn at the same time. Banshuxuan (literally "Half-ripe Xuan") has intermediate absorbability, between Shengxuan and Shuxuan.


The paper is soft and fine in texture. suitable for both Chinese calligraphy and painting. Xuan paper has the reputation of being able to last for a thousand years as it can be kept for a long time.

There are numerous kinds of Xuan paper. such as dan. jia. luowen. coral. tiger-skin. and jade-plate. The quality depends on whether the paper is unprocessed. processed. or half-processed.

Unprocessed paper absorbs water easily. Ink filters through this paper easily, too. People must put their brush on this paper to make sure the thickness or thinness of their liquid ink is suitable.

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Processed paper goes through a process whereby gelatin made from bones and alum (a kind of sulfate) is added. This kind of paper does not absorb water easily and is stiff or hard to the touch.

Half-processed paper has a neutral character. in that it absorbs water. but it does not filter through easily.

* Original address of this China gift post: China Gift and Fine Arts & Crafts in China

2011-06-02

Happy The Chinese Dragon Boat Festival!


Guide:
One of the most important tratidional Chinese festivals - Dragon Boat Festival now is coming soon, now let's know something interesting and unique customs about this Chinese festival and the same time make a warm celebration with all Chinese people in home and overseas.



Origins


The Chinese Dragon Boat Festival is a significant holiday celebrated in China, and the one with the longest history. The Dragon Boat Festival is celebrated by boat races in the shape of dragons. Competing teams row their boats forward to a drumbeat racing to reach the finish end first.

The boat races during the Dragon Boat Festival are traditional customs to attempts to rescue the patriotic poet Chu Yuan. Chu Yuan drowned on the fifth day of the fifth lunar month in 277 B.C. Chinese citizens now throw bamboo leaves filled with cooked rice into the water. Therefore the fish could eat the rice rather than the hero poet. This later on turned into the custom of eating tzungtzu and rice dumplings.

The celebration's is a time for protection from evil and disease for the rest of the year. It is done so by different practices such as hanging healthy herbs on the front door, drinking nutritious concoctions, and displaying portraits of evil's nemesis, Chung Kuei. If one manages to stand an egg on it's end at exactly 12:00 noon, the following year will be a lucky one.



The Modern Dragon Boat Festival in China

Starting from that time to this day, people commemorate Qu Yuan through Dragon Boat Races, eating zong zi, and several other activities, on the anniversary of his death: the fifth day of the fifth lunar month.

Dragon boat races date back more than 2,000 years as a Chinese ceremony to celebrate the summer rice planting and to venerate the dragon water deity. In Chinese folklore, there’s another story: In 278 BC, during the Warring States period, popular statesman and poet Qu Yuan tied himself to a rock and walked into the Miluo River, in today’s Hunan province, to drown himself when he learned of an impending invasion. When the local villagers found out, they rushed to their fishing boats to save him while beating a drum to scare the fish away from his body. Every year since (or so the story goes) there’s been a Dragon Boat Festival to mark Qu Yuan’s death.




Custom Fine Food:Zong Zi

The traditional food for the Dragon Boat Festival, Zong zi is a glutinous rice ball, with a filling, wrapped in corn leaves. The fillings can be egg, beans, dates, fruits, sweet potato, walnuts, mushrooms, meat, or a combination of them. They are generally steamed.


Talisman and Charms

Another aspect of the Double Fifth Day is the timing: at the beginning of summer, when diseases are likely to strike, people also wear talisman to fend off evil spirits. They may hang the picture of Zhong Kui, guardian against evil spirits, on the door of their homes, as well. Adults may drink Xiong Huang Wine, and children carry fragrant silk pouches, all of which can prevent evil. It is said that if you can balance a raw egg on its end at exactly noon on Double Fifth Day, the rest of the year will be lucky.


* Original address of this China gift post: China Gift and Fine Arts & Crafts in China

2011-05-30

May 31 2011: The World No Tobacco Day


31 May:World No Tobacco Day


The World Health Organization (WHO) selects
"The WHO Framework Convention on Tobacco Control" as the theme of the next World No Tobacco Day, which will take place on Tuesday, 31 May 2011.

The WHO Framework Convention on Tobacco Control (WHO FCTC) is the world's foremost tobacco control instrument. The first treaty negotiated under the auspices of WHO, it represents a signal achievement in the advancement of public health.

At the same time, WHO recognizes that challenges remain for the public health treaty to reach its full potential as the world's most powerful tobacco control tool.

In force only since 2005, it is already one of the most rapidly and widely embraced treaties in the history of the United Nations, with more than 170 Parties. An evidence-based treaty, it reaffirms the right of all people to the highest standard of health and provides new legal dimensions for cooperation in tobacco control.

Implementing the WHO Framework Convention on Tobacco Control

Since it was adopted by the World Health Assembly in 2003, 172 countries and the European Union have become Parties to the WHO FCTC. Among other measures, the Parties are obliged over time to:

  • protect people from exposure to tobacco smoke
  • ban tobacco advertising and sales to minors
  • put large health warnings on packages of tobacco
  • ban or limit additives to tobacco products
  • increase tobacco taxes
  • create a national coordinating mechanism for tobacco control.

This year, the tobacco epidemic will kill nearly 6 million people, including some 600 000 nonsmokers who will die from exposure to tobacco smoke. By 2030, it could kill 8 million.

"The treaty's ultimate success against the tobacco industry depends on the extent to which the Parties meet all of their obligations," says the WHO Director-General, Dr Margaret Chan. "More needs to be done for the treaty to achieve its full potential. It is not enough to become a Party to the treaty. Countries must also pass, or strengthen, the necessary implementing legislation and then rigorously enforce it."

Tobacco use is one of the biggest contributors to the epidemic of noncommunicable diseases - such as heart attack, stroke, cancer and emphysema - which accounts for 63% of all deaths, nearly 80% of which occur in low- and middle-income countries. Up to half of all tobacco users will eventually die of a tobacco-related disease.



World No Tobacco Day 2011 Event: Supporting the FCTC

Time: 18.00 - 20.00, 31 May 2011

Avenue: Members’ Salon, European Parliament, Brussels

Host: Glenis Willmott MEP

Event Brief:

This event will provide an opportunity to celebrate World No Tobacco Day 2011 in a relaxed atmosphere over drinks and food and to acknowledge all EU officials and Parliamentarians that have supported the aims of the WHO FCTC.

The FCTC is the world's foremost tobacco control instrument. The first treaty ever negotiated under the auspices of WHO, it represents a significant achievement in the advancement of public health. In force only since 2005, it is already one of the most rapidly and widely embraced treaties in the history of the United Nations, with more than 170 Parties. An evidence-based treaty, it reaffirms the right of all people to the highest standard of health and provides a new legal dimension for cooperation in tobacco control.

* Original address of this China gift post: China Gift and Fine Arts & Crafts

The Art and Life of Chinese Great Artist Master Wu Guanzhong



Wu Guanzhong Painting Work Appreciation - Hometown of Lu Xun

Art is for Everyone

A pure artist who devoted his entire life to artistic exploration, Wu's works have been hotly pursued on the domestic and international art markets, however, he never considered art as a way to make money, or as a legacy that he would leave his children.

Wu Guanzhong donated almost all of his work to museums, even the ones he loved the most. Although many pieces have fetched high prices and commanded tens of millions of yuan each (more than $1.5 million), he still lived a very simple life, never trying to make a fortune.

Through his true belief that his work should be seen and enjoyed by most people, Wu always insisted that it should never fall into the hands of collectors, but instead be hanging in museums.

His philosophy is part of the reason why such a large-scale retrospective could be organized without much effort as almost all of the items are owned by domestic and overseas museums and could be borrowed, according to Li Wen from the education department of Zhejiang Art Museum.

Aside from the 72 pieces that Wu donated to Zhejiang Art Museum and a series of sketches in Yunnan that he painted in 1978, the rest of the exhibition was borrowed from seven museums, with all works previously donated by Wu himself.


Always Innovative

Just as he insisted that his work should be seen and enjoyed by many, Wu also considered that his work should be judged by everyday people, while at the same time he pursued difficult techniques that belonged to Western art.

In one of his essays he once compared art conceptions of the modern West and ancient China to "a couple who are both deaf," who cannot communicate with each other but are still deeply in love.

"They have many similarities, many times," he wrote, spending his whole life trying to perfectly integrate the two different art approaches.

He used oil painting techniques to reflect Chinese landscapes, many of which are about the beautiful jiangnan (the area south of the lower reaches of the Yangtze River), capturing the essence of the area with visual effects that were magically similar to traditional ink paintings created by ancient Chinese art masters.

"He was one among the few great artists ever in China that was devoted to making the two different styles integrated," commented Xu Jiang, director of China Academy of Art. "He made his own achievements in this way and thus made great a contribution to the Chinese art world."

* Brief of Artist Wu Guanzhong:

Mr. Wu Guanzhong, alias Tu, who was born in 1919, and come from Yixing city, Jiangsu province, China.

In 1942, Wu Guanzhong graduated from the Hangzhou National College of Art, during this period, Wu very fond of Van Gogh, Gauguin, and prefer to use strong colors such as red and purple in his oil painting works, and he entitled a pen name for himself as “Wu Tucha”, later changed as “Tu”.

In 1947, Wu went to France to study abroad on state scholarship, and studied in the Paris National Higher School of Fine Arts.

In 1950, Wu returned home and acted as a teacher at the Central Academy of Fine Arts.

In 1953, he was appointed as an associate professor of architecture at Tsinghua University.

In 1956, he acted as teacher at the Beijing Academy of Fine Arts.

In 1964, he taught at the Central Academy of Arts and Crafts.

In 1970, Wu was been sent to villages in Hebei province for labor practice in the famous Chinese “Cultural Revolution” term.

In 1973, he was been transferred back to Beijing and to attend the hotel drawing creation.

In 1978, The Central Institute of Arts and Crafts held an individual exhibition of Wu Guanzhong Works.

In 1979, Wu was elected as an executive director of the Chinese Artists Association

In 1987, the Hong Kong Arts Center hosted “Wu Guanzhong Art Retrospection Exhibition”

In 1991, the French Ministry of Culture awarded Wu Guanzhong “The Highest Order of French Literature and Art”

In 1992, The British Museum broke its routine practice that only antique relics can be shown, and held it first art exhibition for living artist Wu Guanzhong, which named as “Wu Guanzhong – Chinese Artist in The Twentieth Century”, and collected a huge size color painted oil painting work titled “Birds Paradise” finished by Wu Guanzhong lately seriously.

In 1993, France Paris Sayniuche Museum held an art show titled “Walk to The World – Wu Guanzhong Sketch of Ink Painting Show”, and presented him a “Gold Medal of Paris”.

In 1994, Wu Guanzhong was selected one Standing Committee Members of the Chinese People & Political Consultative Conference (CPPCC).

In 1999, the National Cultural Ministry held “Wu Guanzhong Paintings Exhibition”

In 2000, Wu Guanzhong was elected as a communication academician at The Art Academy at the French Institute, and he is the first Chinese artist who obtained this laurel, and he is also the first Asian who obtained this occupation in nearly two hundred years since the set up of the French Institute.

* Original address of this China gift post: China Gift and Fine Arts & Crafts

2011-04-28

China Clay Figurine Museum will Open to Public in the Coming May

As reported recently, China Clay Figurine Museum lied in the "Clay Village" – Wuxi in China will complete construction soon and well be officially opened in May of this year.


Wuxi Huishan Clay Figurines

Currently, the museum has recruited one thousands pieces of clay figurine treasures throughout the country for exhibition, so tourists in domestic and came from overseas can enjoy the artistic charm of Chinese colored clay in the entertainment experience.

The recorded history of clay figurine in China can be traced back from four thousand years ago, clay figurine is one of the most ancient and common folk arts in China, in domestic Tianjin, Beijing, Shaanxi, more than a dozen provinces and municipalities, all has its own representative heritage genre of clay color figurines.



Wuxi Huishan Clay Figurines

Among them, Wuxi Huishan clay figurines, Tianjin clay figurine Zhang, Beijing Han’s color clay figurines and so on, all have a history more than one hundred years, and since the Ming Dynasty, Wuxi have been reputed as "Huishan Street, five miles long, return with riding flowers and fragrant soles” to praise the fragrance of the soil of Wuxi.

As the main genre of clay figurine art in China, Wuxi Huishan clay figurines was been listed in the first batch of the National Intangible Cultural Heritage of China.

Wuxi Huishan Clay Figurines

It is understood, The China Clay Figurine Museum that located in Huishan ancient town Beitang District, Wuxi city Museum composed by four exhibition halls, a temporary exhibition hall, a clay figurine workshop and a multi-media theater, the exhibition area has an area of 8,000 square meters.

The Museum equipped with 10 masters studios, among them, there are 8 studios for clay figurine masters, and the other two for masters of tin embroidery and bamboo carving.

Wuxi Huishan Clay Figurines

The more than one thousand pieces of clay figurine works for show collected by the museum, a part of them were obtained from China clay figurine exhibitions, and the other batch were reproductions of fine clay figurines in all ages and reproduced by national & provincial grade industrial arts masters invited by the museum.

The staff worked in the museum introduced that, this time the China Clay Figurine Museum built in Wuxi and China Academy of Clay Figurines, will change the traditional way of heritage transferred in workshops, they will reunion all clay art resource in domestic China, thus to create a cultural and creative industry park with modern aesthetic spice and entertainment elements, and the related clay art industry chains will also be developed since that.

Wuxi Huishan Clay Figurines

It is also reported that the three old workshops of former Huishan Clay Factory now have been get a renewal repair, and will worked as the sales area of clay figurines as well as clay figurine workshops, which is used to show "living specimen" of the production process of clay figurines livingly, thus to enrich the art content of the clay museum.

* Original address of this China gift post: China Gift and Fine Arts & Crafts

2011-04-01

Celebration of Tomb Sweeping Day (Qingming Festival) in China is Coming

Celebrated two weeks after the vernal equinox, the Tomb Sweeping Day is one of the few traditional Chinese holidays that follows the solar calendar-- typically falling on April 4, 5, or 6.

Its Chinese name "Qing Ming" literally means "Clear Brightness," hinting at its importance as a celebration of Spring. Similar to the spring festivals of other cultures, Tomb Sweeping Day celebrates the rebirth of nature, while marking the beginning of the planting season and other outdoor activities.

Qingming Festival in Ancient Times of China

In ancient times, people celebrated Qingming Festival with dancing, singing, picnics, and kite flying. Colored boiled eggs would be broken to symbolize the opening of life. In the capital, the Emperor would plant trees on the palace grounds to celebrate the renewing nature of spring. In the villages, young men and women would court each other.


Tomb Sweeping Day Celebrated Today in China

With the passing of time, this celebration of life became a day to the honor past ancestors. Following folk religion, the Chinese believed that the spirits of deceased ancestors looked after the family. Sacrifices of food and spirit money could keep them happy, and the family would prosper through good harvests and more children.

Today, Chinese visit their family graves to tend to any underbrush that has grown. Weeds are pulled, and dirt swept away, and the family will set out offerings of food and spirit money. Unlike the sacrifices at a family's home altar, the offerings at the tomb usually consist of dry, bland food. One theory is that since any number of ghosts rome around a grave area, the less appealing food will be consumed by the ancestors, and not be plundered by strangers.



Qingming Fesitival Custom: Honoring Ancestors


Honoring ancestors begins with proper positioning of a gravesite and coffin. Experts in feng shui, or geomancy, determine the quality of land by the surrounding aspects of streams, rivers, trees, hills, and so forth. An area that faces south, with groves of pine trees creates the best flow of cosmic energy required to keep ancestors happy. Unfortunately, nowadays, with China's burgeoning population, public cemetaries have quickly surplanted private gravesites. Family elders will visit the gravesite at least once a year to tend to the tombs.

While bland food is placed by the tombs on Qingming Festival, the Chinese regularly provide scrumptious offerings to their ancestors at altar tables in their homes. The food usually consists of chicken, eggs, or other dishes a deceased ancestor was fond of. Accompanied by rice, the dishes and eating utensils are carefully arranged so as to bring good luck. Sometimes, a family will put burning incense with the offering so as to expedite the transfer of nutritious elements to the ancestors. In some parts of China, the food is then eaten by the entire family.

Qingming Fesitival Custom: Flying Kites

Besides the traditions of honoring the dead, people also often fly kites on the Tomb Sweeping Day (Qingming Festival). Kites can come in all kinds of shapes, sizes, and colors. Designs could include frogs, dragonflies, butterflies, crabs, bats, and storks.

* Original address of this China gift post: China Gift and Fine Arts & Crafts